![]() You’re onto one big losing battle, aren’t you?”īut once on board, Arnold’s willingness to do something she thought might not work is indicative of the adventuresome, exploratory spirit that runs through all her films. “And everyone comes with their idea of how the book is. ![]() “Cinema is a completely different form, and if you’re going to do cinema, why not start with images in your head? Think cinema. “I’m not a fan of taking books and trying to turn them into films,” Arnold said. A longtime fan of the book, she was reluctant to bring it once again to the screen - there have been some 15 versions for film and television. It took convincing for Arnold to make the film, even though she immediately saw the connection between Heathcliff’s struggles and those of characters in her contemporary films. (Shannon Beer and Kaya Scodelario play the younger and older versions of Cathy, respectively.) Then, citing descriptions of the character in the book, Arnold cast black actors in the role of Heathcliff, with Solomon Glave as young Heathcliff and James Howson as the slightly older version of the character. Their strong, unbreakable bond causes dire consequences for them both. After his passion drives him away from the farm, he returns a few years later to win her back but finds she has since married. The remote hill farm in Yorkshire that served as the main location for her “Wuthering Heights” was evocative of the wind-swept romance and mud-caked brutality of the original story - also for those familiar with the atmospheric 1978 Kate Bush song based on the book - yet Arnold’s adaptation of “Wuthering Heights” does make two decisive, singularly striking moves.įirst, she covers only the first half of the book, as a boy named Heathcliff is taken in by a family and falls in love with young Cathy.
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